Critical Writing

​SCULPTURE MAGAZINE
ZSOLT ASZTALOS

​CLOT MAGAZINE
If I Mix Black with the Concept Backwards: Endre Koronczi
Gusztáv Hámos & Katja Pratschke, explorations of consciousness & its intersection with cinema
AMY SANDS: Lace Reimagined, how to create lace patterns from digitised images
ÉVA MAYER: Terra Incognita, Ani Molnár Gallery, Budapest
ZSOLT ASZTALOS, Memory: an Act or Construction?
​
PHOTOBOOK JOURNAL
CYRILLA MOZENTER AND PHILIP PERKIS: OCTAVE
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ARTS & INTERNATIONAL AFFAIRS
​EXODUS: A MIRROR OF HOPE FOR THE FUTURE OF ART BIENNIALS
​
INEFFABLE MAGAZINE
MEMORY OF THE FUTURE: RACONTE-ARTS FESTIVAL IN ALGERIA
TELL ME A TALE AND MAKE IT ALL GO AWAY
SOFIANE ZOUGGAR: TO CONNECT WHAT CANNOT BE CONNECTED
ON A WING AND A PRAYER
TIME TO SHINE: THE ALGERIAN PAVILION A MIRAGE OR A MIRACLE
CHRONIQUE D'UNE DECHIRURE
​JISER TAKES ART TO THE STREETS IN BARCELONA
RACONTE ARTS: FROM DISCORPORATE DISSONANCE TO DURABLE ACTIVISM
EXPOSITION RESIDENCE DE CREATION BCN TNS ALG
​KADER ATTIA IN SPAIN
INTERVIEW WITH DESIGNER FERIEL GASMI ISSIAKHEM
FROM INTROSPECTION TO TRAVELING IN PLACE
EXODUS: A MIRROR OF HOPE FOR THE FUTURE OF ART BIENNIALS

THE BIENNIAL FOUNDATION
EXODUS: 4TH MEDITERRANEAN BIENNIAL OF ORAN, ALGERIA

THE BIENNIAL PROJECT
EXODUS: A MIRROR OF HOPE FOR THE FUTURE OF ART BIENNIALS
THE IRISH PAVILION AT THE 57TH VENICE BIENNALE
​
LAR MAGAZINE
EXODUS: A MIRROR OF HOPE FOR THE FUTURE OF ART BIENNIALS

TEMPORARY ART REVIEW
EXODUS: 4TH MEDITERRANEAN BIENNIAL 

THE FLANEUR
ABSURDISTAN: A COUNTRY OF ITS OWN
DRAWING AND WHAT? NOTES FROM SHANGHAI
THE SPACE BETWEEN
​
SHANGHAI 247
DRINKING TEA WITH WU XIAOSHEN 
EYE ON ART
ABSURDISTAN
INTER-CITY PAVILIONS
LANDSCAPES OF THE MIND: JENNY GU
SHANGHAI ART FAIR
THE POWER STATION OF ART RECHARGES THE SHANGHAI ART SCENE
CITY SOUND TRAVEL​

HAPPENING MAGAZINE
LACE REIMAGINED: AMY SANDS’ ART BRINGS WOMEN’S WORK TO THE FOREFRONT
SHADOW OF THE CITY AT KÉK - CONTEMPORARY ARCHITECTURE CENTRE​
UNQUIET OBJECTS:CURATED BY LUCY COTTER
WAITING FOR OMAR GATLATO. A SURVEY OF ART FROM ALGERIA AND ITS DIASPORA
DEEP EXPLORATIONS: ZSOLT ASZTALOS'S JOURNEY TO THE CENTER OF MEMORY
TECH INNOVATION TAKES ON THE ART WORLD!
KATJA PÁL: GEOMETRIC ANOMALIES
SUCCULENT SWEETS: PATRICK TAYLER’S PAINTINGS
ANTHONIY VAL: ARTIST CURATOR OR ALGORITHM — WHAT IT MEANS TO DIVINE ART TODAY
BREAD IS MADE OF STONE: Eszter Kállay and Sári Ember’s Feminist Voices Through Poetry and Art
FROM TOUCH TO TRANSFER IN THE DIGITAL AGE: ARTIST ORSOLYA LIA VETŐ
TIMELESS INTERVENTIONS: ANDREI FARCASANU
BE-COMING TREE: A FOREST OF ARTISTS UNITE
SYNESTHESIA: BALÁZS CSIZIK
RESTORING THE AURA IN CONTEMPORARY ART: DÁNIEL BERNÁTH
COMPRESSED CHAOS: GUGGENHEIM FELLOW CYRILLA MOZENTER
ARTIST BRAINARD CAREY E-VOKES A NEW CONVERSATION
NON RACONTE ARTS FESTIVAL FROM ALGERIA TO THE WORLD
GAMES,GUNS,AND GLORY:MISON KIM'S WORK IN TIMES OF CRISIS
EXPOSED HUMAN ATTITUDES:THE ARTWORK OF JOSHUA DYLAN RUBIN
INVISIBLE VISIBLE: IS THE UNIVERSE FLAT? ANDRAS WOLSKY
​WHEN 2+2=2:MEMORY ADDITION IN THE ART OF ZSOLT ASZTALOS
​QUAND 2+2 = 2 | LES MÉMOIRES S'ADDITIONNENT DANS LA CRÉATION DE ZSOLT ASZTALOS​
WITNESS: TIDES OF ART IN VENICE​
TÉMOIGNAGE | LA MARÉE ARTISTIQUE VÉNITIENNE​
A LIGHTHOUSE OF CONTEMPORARY ART, HUNGARY'S MODEM ATTRACTS A NEW CROWD
FOR FAMILY REASONS » | QUAND LES HISTOIRES FAMILIALES PASSENT LES PORTES DU MUSÉE
EXTRA SPIRIT, ENERGY, AND INTELLECT: A TRIO OF SUCCESS FOR ANI MOLNAR GALLERY
DYNAMIQUE ET RÉFLÉCHIE : LES CLÉS DU SUCCÈS DE L'ANI MOLNÁR GALLERY
ONDA: ULTRAVIOLET WAVES AT VENICE DESIGN 2019
​ONDA PAR JOCA VAN DER HORST À LA VENICE DESIGN 2019
OBSCURITY OR NOTORIETY? THE UNKNOWN ARTIST IN HISTORY
OBSCURITÉ OU NOTORIÉTÉ ? LES OUBLIÉS DE L'HISTOIRE DE L'ART
OF LIGHT AND LUMINATION: WORK BY MICHAEL BRENNAN
​LE PAVILLON ALGÉRIEN À VENISE : BRILLER OU NE PAS BRILLER ?
​ALGERIAN PAVILION: TO SHINE OR NOT TO SHINE
NABBTEERI AT THE NORDIC PAVILION: DIMINUTIONS
NORDIC PAVILION | NABBTEERI, OU LA CONSCIENCE QUE NOUS NE SOMMES QU'UN
ÉLÉMENT D'UN ÉCOSYSTÈME
ESTELLE VÉTOIS: WHEN PHOTOGRAPHY IS A CONSTRUCTION OF THE REAL
​ESTELLE VÉTOIS | QUAND LA PHOTOGRAPHIE DEVIENT UNE CONSTRUCTION DU RÉEL
​ALGERIAN COLLECTIVE 220 RETURNS FOR ART PHOTO BCN
DECOLONIZING THE COLLECTION | EXPERIMENTAL SEMINAR AT LA COLONIE
DÉCOLONISER LA COLLECTION | UN SÉMINAIRE EXPÉRIMENTAL À LA COLONIE
BEYOND THE VERTICAL LIMIT | ARTIST DUO, GIDEONSSON/LONDRÉ
AU-DELÀ DE LA LIMITE | GIDEONSSON/LONDRÉ À LA FUNDACIÓ JOAN MIRÓ
ALEXANDRA LAUDO | "A CERTAIN DARKNESS"
ALEXANDRA LAUDO | CARRIÈRE, DÉSIRS ET CONSEILS D'UNE CURATRICE
KADER ATTIA: SCARS REMIND US THAT OUR PAST IS REAL
KADER ATTIA | LES CICATRICES NOUS RAPPELLENT QUE NOTRE PASSÉ EST RÉEL
PILLOWS AND PANIC, AN ART ATTACK AT THE ISTANBUL BIENNIAL
OREILLERS ET PANIQUE | UNE ATTAQUE ARTISTIQUE À LA BIENNALE D'ISTANBUL
EXODUS: A MIRROR OF HOPE FOR THE FUTURE OF ART BIENNIALS
​EXODE : UNE LUEUR D’ESPOIR POUR L’AVENIR DES BIENNALES